It seems obvious to me that politicians have an innate arrogance because, in a democracy, they implicitly think they know better than I do how to run my life. Creative writers have a similar arrogance because they are convinced they've got a story to tell that other people will want to read and indeed, pay to read. It's easy to dismiss that self-worth when thinking about great, established writers like Shakespeare, but how about Philip Howells aged 17 who thought that people might be interested in his reflections on the annual cycle of the meadow opposite his house? Not quite as many
Why do people choose to become authors? Even the term provokes
controversy for the differences between that and writer or storyteller serve to
illustrate the subtle range of definitions that can be applied to creative
scribblers. One of my inspirations was an American journalist and storyteller,
Paul Gallico. Perhaps influenced by his own career path, one of his early
opinions was that writers should write about their own experiences. It’s not
surprising that Gallico should have held that view, after all, he was a keen
sportsman for much of his early life and in his quest for personal experience,
sparred with Jack Dempsey so he could describe how it felt to be knocked out by
a champion boxer. As a seventeen-year-old with only a fairly mundane upbringing
to draw upon, I found Gallico’s view frustrating. Although I can’t recall
actually developing the thought, I should have realised that other writers I
admired, for example, Tolkien, Bradbury and Asimov obviously couldn’t have
experienced the subjects about which they’d written so compellingly.
Anyway, as my salary-earning
career in civil aviation led me into writing promotional pieces for my
employer, my creative storytelling rather lapsed until, 19 years after joining
the airline I started my own creative business, using the medium of audio-visual
to tell my clients’ commercial stories. Although, like many similar
undertakings, AV was a co-operative, team business, I always reserved for
myself the task of script-writing. That led eventually but directly to creative
storytelling in my later life.
My first writing output
covered a wide range of subjects; many of my earliest efforts complied with
Gallico’s opinion and were developed from my own experiences. Only rarely did I
lapse into complete imagination. For example, my first novel sprang directly from
my fulfilment of a long-held desire, to learn to fly.
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